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More Art from Wind Bells
Early Wind Bell Graphics  ---  Wind Bell Excerpts

Suzuki letters and calligraphy -- Other Graphics -- Portraits - cuke-the-arts

 

WB 67-02

  

Machine generated alternative text: A virtue is like the ocean, His character like the great mountain. Jane Westberg gave Zen Mountain Center an ancient stone seal which was dug up in Korea. It is a beautiful, orange-grained, smooth, alabaster stone, standing about three inches high and about four inches across. It is carved with trees and mountains winding along its Sides and portrays Seki Heki, a place in China. It seems to belong in its new mountain-valley home so near the Pacific Ocean. An impreGon Of the seal carted On its bottom surface is reproduced above. Its trans- Ltion expresses something of how Zen students feel about their teacher.

 P20

 

 

Machine generated alternative text: 71iis is the architect's rendering to show the probable relationships between the volumes and tv ortjte jar arrow is the present office. To the left of the left arrow is where the kitchen addition will be built on the existing foundation. Above the new kitchen will be a skylight and a loft-zendo, seating 26, for students who are working in the kitchen and for visitors who wish to do zazen. This loft zendo will be open to the main zendo so that the bells and mokugyo can be heard, 'Str

 P26

 

Machine generated alternative text: thitil We Cait afford the materials and have the manpower freed from the kitchen building and Other jobs, we must continue to use the present zendo, new •L ' shgled zendo as shown in these lansforthefuture seats about the same number of Students as the present zendo. However, It possible to arrange the tatami mats parallel to each other. In such a more traditional ar- ranRement, each student may be assigned a tatami on which he meditates and sleeps (during ses- Against the Wall by each tatami will be a cabinet for each shin and perhaps during practizperiod student's limited possessions a bedroll. When rebu [It, th e t Of the b gilding will open onto the stream. It is an ideal solution which also makes the best use of the a deck

 P27 - plans that did not materialize though some concrete foundation for it remains. - dc

 

 

WB 70-1 Winter

 

Machine generated alternative text: 25

p25

Frances Thompson (who did the original artwork for the Tassajara Bread Book)

 

 

WB 70-2 Summer

 

 

Tassajara Calendar, Herbal & Bestiary - 1969

Frances Thompson and Tim Buckley and she did the art too - PDF

 

 

 WB 70-71 Fall Winter

 

Machine generated alternative text: 17,

P2

 

Machine generated alternative text: 11 51

P51 - Frances Thompson

 

 

WB 71 Summer

 

 Machine generated alternative text: Volume X No. 1 Summer 1971

 

 calligraphy of Four Vows, Shiseigan, by Dainin Katagiri

 

Machine generated alternative text: S entient beings are numberless , vow to save them; Desires are inexhaustibf+, vow tofut an end to them: The dharmas are boundless , vow to master them; The Buddha's Way is unsurpassaK6. vow to attain it.

 

P6 - calligaphy by Rick Levine as are many headers and other graphics in later Wind Bells

 

 

WB 72

 

Machine generated alternative text: at in f 969 passing the sounding board that is used to :azen, lectures and the arrival Or departure of the abbot from the monastery. A translation of the characters is below: Listen well everyone Great is the problem Of Life and Death No forever gone gone Awake awake each one Don 't waste your life ! •Suzuki•roshi's translation is: "Don 't goof off!"

 

P35 - han kanji by Kobun Chino

 

Machine generated alternative text: ARTHUR OKAMURA. well-known silk.screen artist and long-time member of Zen Center. has done a signed, limited first edition of "Sakyamuni" (reproduced above). for sale as a contribution to Zen Center's Property Fund. The actual print measures 13" by 19" and is in two colors, gold and yellow. The paper used is Rives. hand-made French rag paper. The prints may be purchased, at $25 each, by using the order blank enclosed in this issue. 34

 

WB 74 1-2

Machine generated alternative text: The following is a report from Steve Stuck", head of fann work at Green Gulch. June i 5, 1974. Though we've been talking about and planning for seven acres, gular field Crew Of four (plus three "irregulars") hasn't been able to handle our re this up until now. Sometimes extra help would arrive just in time—Redwood High School students helped plant 500 pounds of potatoes in February. Two recent developments have helped a lot: we acquired a 30 inch Howard "GEM" rototilier; also, the Green Gulch schedule has been Changed so that everyone works an hour and a half in the fields before breakfast.

P20

 

 

WB 76 Summer

 

Machine generated alternative text: 18

 

WB 78-79

 Machine generated alternative text: e HYMNUS ADPATREM SINE-NSIS I raise those xnc{enr scrawlec( ow On little •wor(Å otßers Since- CKeereÅ' out us this

 

Machine generated alternative text: ABSOLUTE LITY, Ccpl. 1 -k his ? I AND TRBNSFORMAII ATI ON BASE BECOMES GOLD — PHIL» WHALEN

 

 

WB 83-1 Summer

 

Machine generated alternative text: — LME AT CAMAL. Whalen • at "unh ne original af this broadside composed and calligraphed by Zenshin Ryv'ü Philip Whalen. with the Siddham characters for rhe six forms of Jizo by Tensho David Schneider. limited number of signed copies are for sixry dollars. and unsigned copies may be purchased by Zen Center members lwenty-five dollars. All proceeds go toward payment for the Jiao statue Green 10

 

WB 83 Winter

 

Machine generated alternative text: no Rinmi Autunm s ky_ The Stuts dim tamp nothing" 4 MITSU SUZUKI, who is known in Japan a rea•ntly tm luiku shown above. The one on the righc took first prize in a publi- by Eil-ei-ii temple, and the other received a high-ranking Bizc_ written out by Suzuku- sensei and translated hy Tanahushi_

 See more at Mitsu in the Wind Bells

 

 

WB 86- Fall

 

Machine generated alternative text: Large and Small Spirit Bir& in a paintirw hawing in the pge Street dinig room b)' the late Nomtan Stiegebmyer, one Of Suzuki-roshi's early stu&us.

 

 

Machine generated alternative text: PUBLICATION OF zp-N CENTER VOLUME NUMBER — SPRING

 

 

Machine generated alternative text: MOKd1-YoKU. TO-GAN„ SHULJö SHIN-JIN Kö-K=ETiLl I vqvv wrrPf A-h•./L) XLL DUST AND co,vruslQÆ . ' 44KpfÉfL HC4LTHY-+/O cLt4N* uv/THlhi 94MQ v?rmoctT

 P11 - the bath gatha

 

WB 86-2 - Fall 25th Anniversary Issue

 

 

Machine generated alternative text: 25TH ANNIVERSARY ISSUE : FALL 1986

 

Mike Dixon's Fly

 

Spring 1987 Wind Bell

 

 

cover by Dan Welch - an etching on a sidewalk near the SFZC City Center

Dan Welch and his art in the Wind Bells

 

 

WB 92-2 Fall

 

Machine generated alternative text: Self Portrait by Amwr HfMdRey

 

p11 - Self Portrait by Amber Hoadley

 

 

p12 - Rainbow Serpent by Kazuaki Tanahashi

 

The art above and below with article by Kaz on his and Mayumi's Plutonium Free Future - PDF

 

Machine generated alternative text: 'Plutonium Free Future, 201S Shattuck Ave., Box 140, Berkeley, CA 94704 "Enr!k Skip" by Mayumi Oda

 

 

p18 - Calligraphy and Frog by Jenny Groat

 

 

WB 2002

 

It is Stan White and the WB corrected that mistake in the next issue.

Tons more of Stan White's Zen ink drawings

 

So much more could get from the Wind Bells, especially the later ones but that's all for now. - dc 4-14-17